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Greek (Attica) "The Dayton Painter" BLACK-FIGURE NECK AMPHORA, ca. 520 B.C. Earthenware, painted and fired Height 13 inches Museum purchase, 1963.84 |
Pottery was an essential component of everyday life in Greece; terra-cotta
(fired clay) containers of various shapes were used to hold or serve wine and
store grain, honey, oil, and other commodities. This amphora (which may originally have had a cover) for
example, would have been used to store food. Usually a pottery vessel was
produced by one craftsman and painted by another. Although some vessels
were signed by the artisan, most were not; in modern times, as a way of
helping to identify them, vessels are often named for the collection in which
the piece is located. In 1964, Greek pottery specialist Dietrich von Bothmer
baptized the unnamed craftsman who painted this particular
amphora as "The Dayton Painter."
Consequently, Dayton's piece is known as the "name vase" which helps to
identify other works by the same hand. A companion vase by "The Dayton
Painter" of similar shape and decoration is in the collection of the Museum of
Fine Arts, Boston.
The early Greeks were fond of decorating these vessels with stories taken from
their religious myths or scenes of daily life; often they extolled the beauty or
heroic deeds of a particular person. One side of this amphora shows a crowded chariot scene, while the other
is decorated with a figure of Apollo, Greek god of music, poetry, and dance,
playing a kithara (lyre), accompanied by
two gesturing female figures. The neck and lower part of the vessel are decorated
with bands of geometric and highly stylized plant forms.
This amphora was decorated with its male
figures painted in black and detailed with elegantly incised lines; women,
however, are depicted in a cream-colored glaze. The background has been left
the natural red color of the fired-clay body. Consequently, this style of vase
painting is called "Black-Figure" - in contrast to "Red-Figure" decorations in
which the background is painted out and the figures are left the natural color of
the terra-cotta. These decoration styles were employed during 6th and 5th
century B.C. respectively, in Attica, one of the most important production sites
of ancient Greece pottery.
Dominique H. Vasseur
SUGGESTED READINGS:
Boardman, John. Athenian Black Vases. New York: Oxford University Press,
1974.
Moon, Warren G. and Louise Berge. Greek Vase-Painting in Midwestern
Collections. Exhibition catalogue. Chicago: The Art Institute of Chicago,
1980.